The train stops at Cold Fork Station—wooden
platform lashed by wind, snow already filling
the gaps between rails. The air smells of wet
pine and iron. A woman in a woollined coat steps
down, her hands wrapped around a burlap bundle
of smoked venison. She is known only as the cook
who travels with the work crew, a quiet presence
among men who speak in clipped sentences and
measure time by shifts.
The stationmaster’s ledger shows two names: one
listed as “deceased.” The body lies in the
storage shed, face halfburied under a tarp,
frost on the lips. No name. No mark. But the
boots—handstitched, worn at the heel—match those
of the foreman who vanished three days before
the rails reached this point.
The railway was meant to bind the Dominion
together. Now it divides. Workers refuse to dig
further north. The land itself resists—the
permafrost cracked open by dynamite, revealing
bones older than the Confederation. One night,
the cook finds a scrap of cloth stitched with a
pattern from her mother’s old shawl. She burns
it in the stove.
A rule exists: no unmarked burials beyond the
track’s end. The law comes from Ottawa, enforced
by men in grey coats who arrive once a year. But
when the inspector arrives, he does not check
the dead—he checks the records. He sees the
missing foreman’s name erased. He says nothing.
Leaves behind a tin of salted cod and a note:
“Track continues.”
That night, the cook walks the rails. Snow falls
sideways. At mile marker 17, she stops. There,
beneath a rusted rail spike, she finds a knife—
its handle carved with a crescent moon, the same
symbol her grandmother wore. She picks it up.
Her fingers do not tremble.
She returns to the shed. Places the knife beside
the corpse. Then she opens her satchel. Pulls
out a stone mallet. Smashes the boiler valve on
the sleeping car. Steam erupts into the dark.
The train will not move again until the body is
accounted for. Not by law. Not by order. By the
silence left behind after fire.
No one speaks of the cold. No one asks why the
cook stays. But the next morning, the tracks are
still frozen solid. And the grave is dug—not in
earth, but in ice. The soil has been sealed. The
blood has turned black.
This is the world now: where steel crosses the
land, but the land remembers more than the map.


